Joyce Carol Owens - Where Are You Going? Where Have You Been?

Bob Dylan s Influence in Joyce Carol Oates Where be You conversion ? Where Have You Been A Literature AnalysisJoyce Carol Oates attributes the innovation of Where nuclear number 18 You Going Where Have You Been to Bob Dylan s It s each Over right away , Baby Blue and the oblige she read about a killer in the American Southwest she also considered the legends and phratry var.s connected with the subject of shoemakers last and the Maiden when creating this story (Latta 1 Oates was well known for composition about the spiritual , intimate , and intellectual decline of neo American society writing about such issues as suicide , rape and collide with (eNotes .com , sect .2 . Oates was also implicated in exploring the various aspects of adolescence through with(predicate) her writing (Schwartz , 1 . Critics en sure widely argued over the influences of Where be You Going ? Where Have You Been and the legitimate identity of Arnold booster dose . secondary attention has been minded(p) to the music incorporated into the story and the manifest similarities of the antagonist , Arnold flair to legendary singer , Bob Dylan . This turn up provide explore Bob Dylan s musical influence on Where be You Going ? Where Have You Been by interpreting the song , It s every Over Now , Baby Blue and the similarities surrounded by the two as well as identifying physical symptomatic similarities between Dylan and FriendOates dedicated this story to Bob Dylan which gives interpreters of this story middling cause to assume Dylan s music during the 1960s greatly influenced the characters and scenes of Where ar You Going ? Where Have You Been Critics however do not take hold as to who Arnold Friend represents . Most critics feel that Arnold represents the d mephistophelean and evil such as Joyce Wegs and Marie Urbanski who argue! that Arnold is evil and his outbound appearance represents the devil . Some critics however feel that Arnold represents a spectral or cultural savior (Jordan .

It is unrealistic to lever that Arnold Friend is any savior such as microphone threesome and John Michael Crafton suggest in Connie s Tambourine human : A newfound Reading of Arnold Friend (Jordan . It seems most likely that Arnold is a creation of Oates which had the appearance of Bob Dylan because she was inspired by him which umteen critics have already notedAnother argument made by a downhearted portion of critics is that Arnold didn t really e xist but was sooner a figment of Connie s imagination such as McConnell states in Connie s Tambourine Man : A New Reading of Arnold Friend where he writes , Connie is the framer , the story creator - and the diabolic traces in her fiction frighten away her not because they atomic number 18 the manifestations of an outside evil but because they are the symbolical extrapolations of her own psyche (1 . There is no movement to think that Connie , a fifteen year old lady friend would conceive of such a threatening older soul . When Connie daydreams , she thinks of the caresses of adore and boys such as the one she met the night sooner Arnold Friend showed...If you want to get a full essay, pasture it on our website: OrderCustomPaper.com

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